PLANTWORKS: A Factory As It Might Be

An Intervention at The William Morris Gallery, April 5 – May 21 2017.

‘PLANTWORKS: Capital Construction’, 2017. Paper collage on paper wrapping sheet, mounted on honeycomb board. 190 x 100 cms.

‘PLANTWORKS: Large Capital’, 2017. Paper collage on paper wrapping sheet, mounted on honeycomb board. 200 x 172 cms.

‘PLANTWORKS’. Installation at William Morris Gallery, Walthamstow, London. April – May 2017.

‘PLANTWORKS: The Pollen Factory’, 2017. Paper collage on paper wrapping sheet, mounted on honeycomb board. 110 x 140cms.

‘PLANTWORKS: Powerpack (Stamen)’, 2017. Newspaper, parcel tape, cardboard, papier maché, paint, varnish. 244 x 45 x 37 cms.

‘PLANTWORKS: Pod’, 2017. Cardboard, parcel tape, papier maché. Installation view at William Morris Gallery.

‘PLANTWORKS’. Installation view of ‘Pod’ and ‘Fretwork’, 2017.

‘PLANTWORKS: Fretwork’, 2017. Paper collage on cardboard mounted on honeycomb board. 120 x 80 cms.

‘PLANTWORKS: Envoy’, 2017. Cardboard, parcel tape, newspaper, papier maché, paint and varnish, corrugated card roll. 76 x 76 x 50 cms

‘PLANTWORKS: Days Eye’, 2017. Mixed media.

Detail of ‘Days Eye: Taking Turn and Turn About’, 2017. Paper collage on cardboard mounted on honeycomb board.

PLANTWORKS: ‘Pod’ and ‘Days Eye: Taking Turn & Turn About’, installation view.

Plinth (Pod Transporter Platform), 2017. Cardboard, corrugated cardboard, honeycomb board, papier maché.

 

All works by Clare Mitten.
Photographs by Rosie Potter.